pollock


    all there
    square

    confined

    media, lines
    colors

    the interweave
    the subconscious

    the pause, the drip, the dance
    the grace
    the specificity

    the movement

    frustration
    gratification

    all there.

    why would i want to see
    anything outside of what i see now

    anything more than what it is

    why mustn't i turn my face away
    (i don't ever want to see)
    when i confront a video of

    you at work.

    why, when
    it's all there.




    © athiran, 2011